Geschrieben: 02 Sep 2013 19:11

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© Confluential Films, Black Squirrel
Films
Zitat:
A father struggles to protect his daughter from the reality
of her mother's drug addiction in Tommy Oliver's powerful,
semi-autobiographical debut.
From the earliest days of the crack cocaine epidemic that plagued
urban America comes this powerful dispatch, the first feature from
writer-director Tommy
Oliver. Realized with evocative detail that blurs
the distinction between drama and lived experience, 1982 draws on
Oliver's upbringing in Philadelphia's West Oak Lane neighbourhood
to create a wrenching tale of paternal love and perseverance.
In a measured but blistering performance, Hill Harper plays Tim, a
devoted husband to Shenae (Sharon
Leal), and proud father of the precocious,
ten-year- old Maya (Troi
Zee). When Maya observes a widening rift in her
parents' relationship, she wonders aloud whether her mother is
having an affair. But Shenae has succumbed to a temptation far more
pernicious. She soon packs a bag and walks out on her family
altogether, only to return periodically in fits of frenzied
desperation, scrounging for means to fund her next fix. A
devastated Tim, meanwhile, endeavours to shield Maya from the
reality of her mother's addiction, and eventually sets out to
confront the dangerous local pusher (Wayne Brady) who's been only too
happy to prey on his wife's weakness.
If the topic of substance abuse has often provided rich fodder for
domestic drama, few films have addressed the suffering of an
addict's loved ones as lucidly as this. But Oliver also displays
deep reserves of empathy and, in Tim, presents a protagonist
possessed of extraordinary dignity and forbearance. 1982 marks the
emergence of a compassionate and socially conscious new
voice.
Quelle: Toronto International Film
Festival
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"CLEAR EYES
, FULL HEARTS , CAN ' T LOSE ."