Geschrieben: 31 März 2017 17:56
Hallo
Ich nutze mal die Gelegenheit nach dem ihr schon ein Mediabook zu
American Werwolf in Paris raus bringt zu fragen ob ihr vielleicht
auch ein Mediabook zu American Werwolf in London rausbringen
könnt.
Ich frage da ihr es ja schon mal geschafft habt in Zusammenarbeit
mit Universal die Blues Brothers zu veröffentlichen.
Da müsste es doch auch da möglich sein.
Wäre wirklich klasse wenn wir beide Teile im Mediabook bekommen
würden.
Geschrieben: 05 Apr 2017 10:43

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Hallo The Hidden,
sorry für die späte Antwort. Wir prüfen das gerade.
Viele Grüße
phil
Geschrieben: 05 Apr 2017 13:03

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Hallo The Hidden,
sorry für die späte Antwort. Wir prüfen das gerade.
Viele Grüße
phil
Das währe klasse wenn das klappen könnte.
Vielleicht besteht hier die Chance an das neue Master zu kommen und
das es vielleicht auch noch dieses ungefiltert gibt.
Das neue US Master wurde von Universal leider sehr mit der
Bildfilterung bearbeitet.
Geschrieben: 06 Apr 2017 17:19

Das neue 4K Master müsste auch ungefiltert vorliegen, da
normalerweise solche Filter erst sehr spät zum Einsatz kommen und
es sich hier um eine aufwändige Restauration mit 6K Scan des
Originalnegatives handelt.
"When was the restoration done?
Just now, in the last eight months.
Universal, who owns the movie, contacted me. And this was the first
one of my titles they wanted to restore for some marketing reason.
And I said, what does that mean restore it? It’s fine! But let me
tell you about restoring a movie: what happens now is technology
keeps advancing so quickly that one of the reasons all these
special effects companies keep going out of business is because you
can’t keep up with it and it’s too expensive. It’s kind of scary if
you think about it: when you develop a film chemically, and make a
print from the negative, you lose about 60 percent of (the)
information and you only get about 40 percent, and this happens
every time you make a movie. Do you remember when everybody went
from albums to CDs and they had to re-master everything? Well, when
they re-mastered the Beatles tracks, they were hearing
conversations in the hallway at Abbey Road, stuff which was there
and they never heard it. And it’s the same analogy with these
advances. I think the Blu-Ray of Werewolf looks very good, I was
happy with it and I supervised that. But now they did a 6K scan of
the original negative and it was a remarkable thing, it was so
weird because it was not like looking at a movie, it was like
looking through a window. I didn’t like it actually because the
clarity and depth of field is such that you can count the blades of
grass. It’s unbelievably crisp and what the most remarkable thing
is that black is black. On film black is never black. Here, black
is black and that is cool, and it was so clear it was weird. I
thought for instance that that kind of clarity would hurt some of
Rick Baker’s makeup stuff and in fact it makes it look better,
which is a testament to Rick. The scene with Jack in the hospital
is unbelievable to look at the sculptural detail of his wound in
the face!
And here in Venice is the first time this version is
seen?
Yes, this is the world premiere of the restoration and then it
will come out on Blu-Ray within the next few months. And I really
think and hope that if you have never seen the movie you’ll love it
and think that it looks great; and if you know the movie well, you
might notice things. It is remarkable."http://www.goldenglobes.com/articles/john-landis-american-werewolf-venice